The fact that I haven't done a music list for 2005 rests in part with the fact that I was waiting for the Village Voice Pazz and Jop list and because music has fallen below TV and Tech for me.
Don't even mention movies to me. I'm not even doing a list for that. For me, 2005's sole cinematic achievement was Batman Begins.
Back to music.
Some off the top info:
The Year's Top Albums in Sales
Here are the top-selling albums of 2005 as tabulated by Nielsen SoundScan:
1. Mariah Carey ''The Emancipation of Mimi'' (Island), 4.97 million copies.
2. 50 Cent ''The Massacre'' (Shady/Aftermath/Interscope), 4.85 million copies.
3. Kelly Clarkson ''Breakaway'' (RCA), 3.5 million copies.
4. Green Day ''American Idiot'' (Reprise), 3.4 million copies.
5. Black Eyed Peas ''Monkey Business'' (A&M), 3 million copies.
6. Coldplay ''X&Y'' (Capitol), 2.6 million copies.
7. Rascal Flatts ''Feels Like Today'' (Lyric Street/Hollywood), 2.5 million copies.
8. Gwen Stefani ''Love.Angel.Music.Baby.'' (Interscope), 2.5 million copies.
9. Kanye West ''Late Registration'' (Roc-a-Fella/Def Jam), 2.4 million copies.
10. The Game ''The Documentary'' (Aftermath/G-Unit/Interscope), 2.3 million copies.
Maybe two of these albums can be called good. Maybe.
And the fact that the #1 album didn't even do 5 million and that 4 of these albums came out in 2004, shows how much the record industry is hurting.
The album is dying, and the single has been resurrected.
If this was '92, Mariah's album would have easily gone diamond (10 million copies.)
Instead everyone just got "We Belong Together" off of iTunes, or other places... ahem.
And here is the
VV: Pazz and Jop tallyThis list reflects the indie bias of the mainstream music criticism as well as and the need for the fetishizing one Negro per year. Kanye's album was the most overrated, repetitively vainglorious album I have heard since, well "College Dropout."
Indie fav Jon Brion produced much of the album so it has the instrumentation and quirkiness that makes people go, "Ohh, instrumental quirkiness in rap!! Yeaaa!!!)
While I love Jon Brion, but he turned an album I was looking forward to, into easy-listening rap. This shit could fit in on your Lite-FM station with ease.
Is that an accomplishment? Maybe, but not when the lyrical content and songwriting is so similar to the first album. Family drama, grave-robbing samples, Kanye's typical blend of cocky modesty and 3rd grade social commentary mixed with Maroon 5.
To you Kanye, I say nah. Shame on all of music intelligentsia for inflating this album's standings and Kanye's ego.
2-6 are all incredibly solid albums that are mostly on my list.
7-10 are inaccessible and obtuse indie music that varies in quality, none of which make my list.
My list reflects that I was trying to have fun this year. Most of this music is uptempo, celebratory and nonsensical.
10.
Electrocute: Troublesome BubblegumFrom the name you should know what to expect. Fluffy dance pop. I think a song from this was even used in the Spongebob Squarepants movie. But who gives a damn, this was the jubilant 80's pop record that Gwen Stefani tried to make this year. It's now OK jump on your bed and eat cotton candy.
9.
DangerDoom: The Mouse and the MaskMF Doom and Ghostface Killa are the two most fun MC's in the game right now. Why listen to Kanye and Talib rap about chopped up Africans in diamond mines or Common rapping about love when these two MC's capture the joyful spirit of early Pharcyde, De La Soul and Tribe Called Quest like no one else. When they release their collaborative album next year, the Internet may explode.
But in the meantime we have this solid collabo between Doom and Danger Mouse, the man behind 2004's Grey Album. Based on characters from Cartoon Network's Adult Swim, this shit was as surreal as it comes.
And Talib was rapping about Saturday morning cartoons, he may have a chance.
8.
Fiona Apple; Extraordinary MachineThis is the kind of thing music dorks eat up. A mystical Jon Brion produced album that was shelved by evil record executives, released only after the vigilance insistence of fans. Except the leaked Jon Brion version was nowhere as good as the retail version that was finally released with hip-hop producer, Mike Elizondo (50 cent, Eminem) retouches.
It's ironic that the indie king Brion, made Kanye's rap album worse, yet rap producer Elizondo made indie queen Fiona Apple's better.
Hm.
7.
The Go Team!: Thunder, Lightning, StrikeThis record was finally released in our fair Union of States in 2005, so that's why it makes the list.
Filled with TV theme songs, cheerleader chants, big beat guitars and other ridiculous samples, this record brings back your most pleasant childhood memories. Period. Just listen.
6..
Spoon: Gimme FictionGood old indie rock. Catchy, melodic, minimalist and experimental. Five albums strong and Spoon's still not treading water.
A good indie template to help you if you get lost in 2006.
5.
White Stripes: Get Behind Me SatanIt's the White Stripes. Jack White is a Rita Hayworth obsessed weirdo as well as a guitar god who is not afraid to bust out a guitar solo in 2006. Meg White is not a good drummer. These are basics.
What wasn't basic was a bluegrassy/country styled, percussion heavy album that was pretty different from their other efforts.
It worked. The White Stripes survived the great "Garage Rock Revival." The Strokes did not.
4.
Run the Road: Various ArtistsDizziee Rascal may be the poster boy of Britsh grime and garage music but there are some other Brits spitting fire as evinced by this mixtape. Laugh at the accents and then be marveled by the intensity of music. Quality shit.
3. John Coltrane:
Live at the Half Note/
Carnegie HallI'm cheating with this one. These albums were recording decades ago and these are two entirely different albums.
And it's cheesy to throw one jazz record in the middle of all of this pop music. And I'm more of a jazz snob than a true fan. I only listen and know the old/classic shit. But god damn these records rock.
It's always fun when bootlegged posthumous underground records get a proper release.
Tupac and Big, take note.
2.
MIA: ArularThe more I listen to her the more I think she's a terrorist. Her dad was one, and she says some mighty suspicious things...
Regardless, immigrant chic and pidgin Engrish was never hotter.
Fusing dancehall, hip-hop, Rio Baile Funk and whatever else she learned from her itinerant childhood, she put together one of the most mainstream, subversive and enjoyable album of the year.
1.
Sufjan Stevens: IllinoisWhat can I say about Sufjan?
His brand of secular religious music has captured the hearts of the older NPR/NY Times crowd with shows at Lincoln Center, the Pitchfork indie community and anyone else who listens for more than five minutes.
His preposterous idea of a creating a concept album for every state, is proven to be genius with each release.
He made me like Michigan with his first album and has got me thinking there is more to Illinois than deep dish pizza with his second effort.
He's the Oprah of indie.
Honorable Mention:
Common: Be
The Game: The Documentary
Mariah Carey: The Emancipation of Mimi
Two other lists worth checking
Oh Word' 2005 listHiphopsite.com's 2005 listLast, but not least.
The Worst Songs of 2005 List
5) D4L: Laffy Taffy
4) Black Eyed Peas: My Humps
3) Anything American Idol related
2) D4L: Laffy Taffy
1) Black Eyed Peas: My Humps
Spot on?
Dead wrong?
Granted, I wasn't as into music this year as others, but nonetheless, let me know.