Showing posts with label Kill Crap Music. Show all posts
Showing posts with label Kill Crap Music. Show all posts

Friday, May 02, 2008

Don't Blame Rap: It's Just a Mirror to the Hood



I think I saw some people burning dollars by the soup kitchen in my hood.

Fucking disgraceful.
I think it's time we all stop pretending that rap speaks to everyday black people anymore than a board meeting at Exxon speaks to the everyday white person.

Monday, April 21, 2008

Hip-Hop Is Dead and Nas Ain't Helping


(Look at me! I'm controversial!!!)

When Nas released Hip-Hop is Dead everyone ignored Nas' own contribution to rap's downfall (Nastradmus) on the strength of Illmatic alone. Well it's reached a point where being the man who created Illmatic is no longer enough to excuse Nas' bullshit.

By now you've heard of this "Nigger" abortion that Nas has been working on. Apparently something from it leaked and it's worse than you could have ever imagined.

MP3 Link

  • The hook is borrowed from the old Dr. Pepper commercials with the lyrics "I'm a Pepper, he's a Pepper, she's a Pepper, we're a pepper/ Wouldn't you like to be a Pepper too?" — with Nas' substituting N-word for "Pepper."

    Later in the song, he continues: "To all my 'kike' niggers, 'spic' niggers, 'guinea' niggers, 'chink' niggers/ That's right, y'all my niggers, too."

    The song's verses are lyrically combative ("Nas is bred for the plan/ To hold a Grand Dragon's head in my hand") while still dropping references to events old and new, like the October slaying of African Reggae artist Lucky Dube.

    "Not mad 'cause Eminem said 'nigger,' " Nas raps. " 'Cause he's my nigger, wigger, cracker friend/ We all black within/ We all African/ Some Africans don't like us, no way/ A killing happened in Johannesburg yesterday."

    "Be A Nigger Too" — co-produced by Salaam Remi and Big Jack — is the first record to come out from the Nigger recording sessions, but it is a street leak; the official first single is expected soon. News about the album's title unleashed a flurry of controversy last fall.


Sweet fucking Jesus.

I'm all for free speech, so I wasn't knocking Nas on his selection of an album title as much as I was knocking him for being too stupid to offer any insight on the topic and he's proved me right. This album isn't smart enough to warrant the controversy it will bring.

These old NY rappers dreaming about the glory days on 1994 need to step up to the fucking plate and make some music and stop the crying and shock tactics. What Nas is doing isn't advanced the "art" any more than Soulja Boy or the Ying Yang Twins.

The sooner Nas realizes that the better off we'll all be.

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Monday, March 31, 2008

Better Than Rick Ross

While I try to figure out how Rick Ross sold 200K in his first week, watch this



It's more creative than 99% of what plays on your local rap station.

Please note the use of Firefox in a rap song and the bored office workers typing in the background at the end of the song.

Fuck Cam'ron, this dude really gets the computers 'putin.

Saturday, March 29, 2008

The LA Times is Full of Bitch Ass Ness



I never even bothered to read that bullshit expose the LAT published about Puffy killing Tupac and causing 9/11 while dumping Natalie Holloway's body in Aruba.

It's not that Puffy is such a standup guy. Most rappers would buck their mom if they could sell 5 extra copies of their newest weedcarrier's mixtape.
Let's not forget Puffy let Shyne take the fall for him when he fled that NY shootout with J. Ho a good 9 years ago. Diddy is still going to have to pay up big time in that case.

But now he can handle that case with dough he's getting from the LA Times for slander and libel.

Apparently The Smoking Gun blew up their six months of research in one week by discovering the story was based on forged documents presented by a notorious conman.

After watching David Simon speak this week at Columbia's J School (which I will post about later), I'm looking more and more at newspapers like toilet paper than ever before.

More on Bitchassness

Saturday, March 22, 2008

A New National Hero?

From Nah Right.com

  • A 12 year-old boy was taken into custody Wednesday night for throwing a rock through the windshield of Soulja Boy’s bus. Why? The kid told arresting officers, "I hate Soulja Boy."

    Bloomington police used a supervisor and five officers on overtime to provide security for the hip hop concert.


The only thing better than this would be watching Lil Wayne catch a projectile on stage.

Oh wait... That already happened



British soccer trash, gotta love it.

Tuesday, January 22, 2008

Snitch of the Week: 1/13 - 1/19 (Rappers on Steroids)


(Marlo Stanfield, my new alias)

The idea of rappers on steroids shouldn't have received the surprise reaction it did when the news broke last week.

Look at the formula of rap music.


Hyper masculine culture

+ Exaggerated fantasy talk

+ Weak Album Sales

+ The Need for Attention

= AKA Barry Bonds/Roger Clemens syndrome


The real kicker is how they ordered their steroids,

  • "Between August 2005 and January 2007 Blige allegedly received multiple shipments from an Orlando pharmacy of Jentropin, a human growth hormone, and Oxandrolone, an anabolic steroid, in orders sent to her at the Beverly Hills Hotel, MGM Grand in Las Vegas, and Clay Gym in New York City.

    At least one of the orders was mailed under the name "Marlo Stanfield," which is the character name of a drug kingpin on the Baltimore-based HBO crime drama "The Wire."
    "[50 Cent] is alleged to have received shipments of steroids at his mansion in Farmington, Conn. in July 2006 an order was mailed to his residence under the name "Michael Jordan" and also at a residence on Oakmont Drive in Los Angeles. Steroids in his name also were mailed to the office of a Long Island chiropractor."


My name is Stringer Bell Vic Mackey Jack Bauer and I'd like one steroid please!

Stupid fucks.

_________________________________

The runner-up is a group of E-thugs who decided to bring their gangsterism to YouTube.

  • Two alleged gang members who taunted the Miami Dade Police Department in a video posted on YouTube have been arrested by U.S. agents and charged with federal firearms violations.

    Rudy Villanueva and Tony Logan, alleged members of a Miami-Dade County street gang called the Bird Road Boys, were seen in the video brandishing a shotgun, assault rifle and handguns. Villanueva was arrested by Immigration and Customs Enforcement late Tuesday evening, and Logan was arrested early Wednesday morning.

    Villanueva, who goes by the names King Bird Road and Bird Road Rudy, is the alleged leader of the gang and is seen on the video saying, "Metro Dade Gang Unit, here I am baby." Villanueva went on in the video to say "we's out here fighting a Cold War" and that "they come at us if they want to.

    Logan appears in the video saying "come get it" while flashing gang signs and pulling the triggers of the two handguns he is holding.

    Mexicans for the win!


    For somehow involving The Wire with the ever spreading steroid scandal, steroid rappers are the Snitch of the Week.

Sunday, December 02, 2007

Top 10 Rap Albums of ... Not Yet



I'm starting to put together the year end lists and it's a little rough because there is a huge glut of Q4 music and I'm not interested in most of it.

Plus there is the never-ending Ghostface/Wu-Tang drama.

  • Raekwon recently had voiced his displeasure with 8 Diagrams’ musical direction. Are you happy with how the album came out?

    That s**t is wack. I heard RZA was changing some of the beats around the last minute. I didn’t hear that. I don’t know what y’all listening to out there. I never heard it. I’m with Raekwon.

Ghost is right. Whatever RZA did to the album sucked. There is no cohesion or melody anywhere to be found. The album is just plain awful. I'm scared of the first week sales.

On the other hand, Ghostface's new album is better than I ever expected. Who'd think Ghost would have anything interesting to spit after dropping 2 albums in 2006?


Also, this Troutman/Bootsy Collins hybrid "Sensual Seduction" video from Snoop is creative, hilarious and surprisingly decent as a song.

When was the last time those 3 words appeared together with anything rap related or I wasn't shitting on Snoop for his ignorance?



Kudos Snoop.

Can someone please tell me what project this is off of?

Monday, November 26, 2007

The Return



If Star and Bucwild can return to the NYC radiowaves and give me a reason to dust off my FM tuner then goddamnit, I can return to blogging.

Q4 has been busy but for those who emailed me, StartSnitching.com is still alive.

Monday, October 22, 2007

Jay-Z: American Gangster and Other Hip-Hop Thoughts


(Never underestimate the importance of good album art.)

I have no logical reason to be excited about this album based on Jay-Z's recent track record (Kingdom Come, R. Kelly and Linkin Park collabo albums) yet I am. Probably because I've been ping-ponging between Reasonable Doubt and Blueprint.

Although what I am about to say is clear hyperbole, the concept album (in theory) is hip-hop's savior.

Let's be clear, concept albums are incredibly pretentious and notoriously difficult to pull off
but when done right

Deltron 3030



Kool Keith with Dr. Octagon



They can circumvent the main problem that makes rap music the incredible bore it is today; the inability to detach an entertainment persona from reality.

Much of rap's allure was built on the danger the artists presented to white suburban boys who ate it up, but it seems that shtick is wearing thin.

Where is the growth?
Where is the sense of perspective and grasp on reality?

People don't expect James Gandolfini to choke out or shotgun blast his cousins in real life even though it was amazing when he did it in the Sopranos.

Yet T.I. felt the need to attempt to acquire a machine gun at the peak of his career despite the fact that he is an ex-felon.

If these charges are true, what a dumb nigger T.I. is. And I don't mean that in a friendly kinship slang way.

On top of T.I.'s colossal boner, Wycelf calls T.I. a prophet and compares him to Malcolm X. Um, ok Wyclef.

That Malcolm X poster with the machine gun is cool on your college dorm wall, but less so in reality.

Other evidence of rap's waning grasp on reality and it's own devolution.

  • Ja Rule is still beefing with 50 Cent even though both of their career's are jokes.
    • "I have conversations with myself," he told MTV News late last week about The Mirror, which is set to arrive in stores November 13. "I talk to the guy in the mirror. He never answers back; it's always the same guy that asks the questions and answers the questions.


      Ok...


      "[50] was no different," he continued. "He wanted to be where I was at. He wanted to be me. He just didn't know how to go about it. He didn't know how to go about and say, 'Yo, Ja, I want to do a record with you.' So his thing to get in the game was to insult everyone in the business.

      Yawn...

  • Puffy is still attacking people at nightclubs.
    But as he said in his own words, more or less,

    "Diddy did it, but Diddy's lawyer is so with it that Diddy got acquited."

  • Prodigy just got pinched for 3.5 years on a gun charge after dropping "Return of the Mac" a fairly solid semi-concept album about gully ass pre-Guiliani NY.
    Guess he missed the concept part.

Hopefully Jay-Z's American Gangster lives up to internal hype level I've set and it doesn't inspire Jay to try to buy an AK-47 from an Arab arms dealer working for the FBI in the back of Newark Airport or some shit.

Stay on your corporate game Jay.

________________________________________


Other shit:

  • Why is Ghostface is crying like a bitch over the fact that Wu-Tang wants to drop an album on a day that impedes with his 34th album in two months. Fall back for the fucking group.

    There's this thing called supply and demand that Ghost isn't grasping. Stop dropping albums faster than my birthdays.


  • Nas in a desperate attempt for attention, names his next album "Nigger."

    ...Sigh...

    Naming his last album "Hip-Hop is Dead" started an interesting convo and it sold about 700,000, but it didn't obscure the fact that the beats were embarrassingly minor league and the tone of the album was confused at best.

    Nas is a pseudo-intellectual of the worst sort who gets a pass from everyone because of his casual mix of Islamo-Christian iconography, old school nostalgia and because they want him to be something he is not.
    Smart.
    In terms of singles he has a solid back catalog, but if you drill deep into the content of his "political/conscious" songs or his interviews he is usually just spitting bullshit.

    Take his explanation of using "Nigger" as his album title
    .

    • "I wanna make the word easy on mutha----as' ears," he explained. "You see how white boys ain't mad at 'cracker' 'cause it don't have the same [sting] as 'nigger'? I want 'nigger' to have less meaning [than] 'cracker."

    Nas, you dumb nigger, your shitty album will not lessen the sting of racial epithets.

    "Yo I just copped "Nigger" at Best Buy. Racism is over son!!!

    No.

    White people don't care if you call them cracker because they still decide whether to sign your check or hire your ass.

    Nigger will always be nigger and nigga will never be acceptable other than something for black people to say to each other.

    For a man that hates Bill O' Reilly as much as Nas does, they sure play from the same PR handbook.
    What's Nas' next album going to be called?

    "I Miss Slavery?"

    Method Man sums it up best,

    • "Nas knows what he's doing. He's a smart brother. He keeps his name in the game," Tical offered. "Last year, when he put out Hip Hop Is Dead, I was being interviewed, everybody was asking me what I thought about his album. ... I think it's too much emphasis on just the word. I know a word worse than 'nigger': Darfur. Real talk. I'd like to see Reverend Al take a walk out there. Let's stop focusing on the wrong sh--."


    By the way, the tracklist for his greatest hits album is horrible. Did Jay-Z ask Rihanna to pick that shit out? Oh wait, it comes out on Columbia, not Def Jam. There goes that excuse.


  • I am growing really weary of this whole white hipster music critic movement. You know, Tom Breihan, Kelefa Sanneh, Sasha Frere Jones (SFJ) etc, legitimizing god awful music and writing lazy criticism with lengthy graduate thesis apologias.
Generally they write well, although SFJ uses the term "musical miscegenation" four times in his last piece, but the conclusions they reach are usually complete bullshit.

SFJ newest thesis is that indie rock isn't black enough (Warning: long article full of bullshit and dubious conclusions.)
  • "How did rhythm come to be discounted in an art form that was born as a celebration of rhythm’s possibilities? Where is the impulse to reach out to an audience—to entertain? I can imagine James Brown writing dull material. I can even imagine the Meters wearing out their fans by playing a little too long. But I can’t imagine any of these musicians retreating inward and settling for the lassitude and monotony that so many indie acts seem to confuse with authenticity and significance."

He reaches this conclusion because it was hard for him to add authentic Nigra vocals to his own band's funk soul-dub music. And because Sufjan Stevens doesn't lean or rock with it.

I guess that means that Soulja Boy isn't white enough?
What about completely amelodic rap like Anticon and Def Jux?
Give me a fucking break.

Slate tears SFJ apart while calling out his own contradictions and recognizing that the problem with Indie rock is a class issue.

  • While it's possible to cherry-pick exceptions ever since, Frere-Jones does so selectively, overlooking the likes of Royal Trux or the Afghan Whigs in the 1990s, or more recently, the Yeah Yeah Yeahs, Spoon, Battles and the dance-punks LCD Soundsystem, Hot Chip, and Junior Senior, almost all of whom appear on his own best-of-the-year list in progress. Last March, in direct contradiction to what he says in this week's New Yorker essay, Frere-Jones wrote in an LCD Soundsystem review: "About five years ago, indie rockers began to rediscover the pleasures of rhythm." Where are those indie rockers now? Vanished, because they would mess with his thesis. He isn't really talking about all of indie rock, but a folkier subset that's hardly trying to be rock at all. But to say so would be less dramatic.
And...

  • Ultimately, though, the "trouble with indie rock" may have far more to do with another post-Reagan social shift, one with even less upside than the black-white story, and that's the widening gap between rich and poor. There is no question on which side most indie rock falls. It's a cliche to picture indie musicians and fans as well-off "hipsters" busily gentrifying neighborhoods, but compared to previous post-punk generations, the particular kind of indie rock Frere-Jones complains about is more blatantly upper-middle class and liberal-arts-college-based, and less self-aware or politicized about it."

Ouch. SFJ needs to ask the internets to recall that piece. It's really indefensible.


  • Big Q4 coming up for rap.

    We have new

    • Jay
    • Nas
    • Wu
    • Foxy (holy shit, it's 1997)
    • Lupe

      Also for industry purposes only

    • Three 6 Mafia
    • Cassidy
    • Lil Mama (who will outsell Foxy)
    • Rick Ross
    • Ja Rule
    • Saigon
    • Wyclef
    • G-Unit (Six weeks and Curtis still isn't platinum yet...)

  • Looking at that list of releases I feel like we need new RIAA certifications. People just ain't going gold (500K units) or platinum (1 million units) anymore.

    I propose

    White gold: If you are stuck in that 650K - 800K range, which is a bitch to get out of. (Nas)

    Silver: If you cross 250K units but can't hit 500K. (Lupe)

    Bronze: If you cross 100K and stop, check the Soundscan, a lot of people are missing that barrier. (Foxy)

    Wood: Anything under 50K. (Ja Rule, I hope.)

Friday, August 10, 2007

For The Love of Jesus, Buy Kanye West's Album



Kanye West's "Graduation," which I have no idea how I feel about might just save rap in more ways than one...

Peep the quote from the 50 Cent circus,

  • 50 Cent Bets Career, "If Kanye Sells More Records... I Won't Put Out Any More Solo Albums"


Peep the SOHH article here.

Can the Black Eyed Peas, Akon, Nickelback, the American Idolers and all the ringtone rappers join in on this bet?

Tuesday, August 07, 2007

White People Win??

Only time for a quick post because I'm war with my PC (Piece of Crap) and I'm about to holla at Steve Jobs about the new Macs he's going to announce today.
Or not.

Watching this video you would almost think that old rich white people weren't winning...



To all the high level corporate execs who read this blog and are nervous, rest assured you are still winning.
Your predatory lending will only briefly affect your portfolios. Besides look how black people are losing.

The Dow Jones is still above 1300. The status quo is still in full effect.
Tell your boy to be easy.

Monday, July 23, 2007

Fiddy vs Kanye vs 9/11



I never thought I'd reach a point in my life where I'd be cheering for Kanye, but Fiddy has truly embraced his self-proclaimed stride as the George Bush of rap and now that Kanye and Fiddy's albums will both be dropping on 9/11, I hope Kanye somehow manages to outsell 50 and end his career.

It's sad how quickly went from beloved street underdog with "How to Rob..." to the boring special ed analogy raps of "Amusement Park."

This uncut interview with 50 at Spin magazine is actually pretty incredible and gives a pretty honest look at his vulnerability after being shot and the fact that he's intelligent until the interviewer and Fiddy go into a room with Fiddy's weed-carriers and devolves into the rich-boy bully shtick that's worn terribly thin. It's sad because the beginning of the interview shows he's smarter than what comes below.

Example,

  • What about the MCs -- Chamillionaire, Ghostface Killah, Master P -- who have said that they're not going to curse in their music anymore, in response to the post-Imus outcry?
    None of those people sell records.

    Chamillionaire sold more than a million records.
    Let him go sell gospel records, if he's so fuckin' righteous. I can write around the curses if I want to, but you can't tell me to write around the curses. First of all, there's a clean version of the record available, anyway, if people don't want to hear that content. This is adult entertainment. Why is pornography legal? Wouldn't you say that the women who do pornography are hos? They get paid $1,000 to fuck on tape. You understand? And we can't say 'ho'? And who's the leading consumer for pussy on a tape? Middle-aged white men.

    The peanut gallery: "White men, yeah. They buy all of it. They're spending way more."


He also states that music cannot be good unless it sells.

  • Yeah, it's hard to imagine Ghostface is going to stop cursing, especially considering his last couple of records.

    The peanut gallery: "Nobody even cares what he does." "Who's listening to him, anyway?" "That was the '90s, B. Kids don't even know Ghostface anymore." "The streets are different now," says Yayo. "Guys like Ghostface don't matter. They don't. They had a run, but it's over."

    But can't he just make a great record, even if it doesn't sell, and we can appreciate it as listeners, as hip-hop fans?
    No, because a great record is embraced and enjoyed by the public. And it's played in cars and clubs.

    What if it sells a couple hundred thousand copies, isn't that valid? Or does it have to sell millions for you to take it seriously?
    In my camp, a couple hundred thousand records is a failure. From my perspective, if I sell 200,000 copies, after selling 12 million records, it's considered terrible.

    But maybe he's trying to make a different kind of record?
    What, the kind people don't buy?

    No, one with incredible, detailed storytelling that's moving and powerful, and isn't dependent on some obvious hook.
    Look, I understand all that. But if you're on a major record label, and he [Ghostface] is, and you sell a couple hundred thousand records, that was a failure. Your fuckin' photos and videos aren't recouped with 200,000 copies sold.


By that logic all popular music is good, all top-selling books are art and the highest grossing movies are the true classics.

Bad Boys 2 > Donnie Darko
Pearl Harbor > Waking Life
Etc...

Thanks for the heads up Curtis.

Meanwhile, Kanye is ready for that ass (pause) on September 11th.
This may be the first year where people might actually be allowed to enjoy September 11th. Unless Guiliani links Curtis and Kanye to 9/11.

In the meanwhile, Chamillionaire's new Mixtape Messiah 3 is better than the last 42 albums G-Unit put out.

Monday, July 16, 2007

Accidental Racism Strikes Again...


(Bumpin' too much Biggie Smalls)

I love stories like this,

  • The longtime chairman of the Roger Williams University board admitted Monday that he had used the N-word during a board meeting, saying it "kind of slipped out."

    "I apologized for that," Ralph Papitto said in an interview on WPRO-AM. "What else can I do? Kill myself?"

    Papitto, 80, who stepped down this month after nearly 40 years on the board, admitted he used the racial slur at a May meeting of the school's board of trustees. He had been discussing the difficulty of finding blacks and other minority members to serve on the 16-member board, which at the time included 14 white men and two women.

    Barbara Roberts, then a board member, said Papitto became irate when he discussed pressures to make the board more diverse, at one point using the slur to refer to black candidates.

So let me see,

Old Fat White Man: How's the search for black board members going?
Board member: Still pretty slow.
Old Fat White Man: Goddamn niggers!
Board members: ...uh...

This is my favorite part,
  • Papitto has given the school at least $7 million, and his name is on the law school, the only one in Rhode Island.

    He said he had never used the term before.

    "The first time I heard it was on television and then rap music or something," Papitto told WPRO.


This 80 year old man, born in 1927 in Rhode Island (which is famous for its love of Negroes) first heard the word "nigger" in rap music.
Riiiiight.

Can I buy the Brooklyn Bridge with that?

Thursday, July 12, 2007

Read A Book N!&&@!!!

Stolen straight from Dallas Penn,



YouTube was worth the $1.65 billion.

Wednesday, May 09, 2007

Free Akon!


(Trouble indeed...)

First off let's not get it twisted, I hate Akon.
He can't sing, he makes awful music and those Verizon commercials piss me off.

That being said, Akon got set the fuck up in Trinidad.

Anyone who is West Indian, knows West Indians or has even eaten a beef patty or some jerk chicken in their life knows that West Indian culture is as hyper-sexual as they come. Little West Indian girls learn how to wine upside down on their head while holding a Red Stripe shortly after their first baby steps.

Sad, but true.

So Akon has a show in Trinidad, has a contest, pulls a girl onstage and freak dances the shit out of her while everyone cheers with glee. Par for the Trinidadian course right?

Wrong, the girl turns out to be 14, the daughter of a pastor and the clip went up on YouTube.
Whoops!


Here's the video,



Looks like a normal Trinidadian show to me.
And here are some pictures that went with it.


(I think she's looking for her Bible.)


Poor little preacher's daughter. She sure looks scared.

The heat picked up and the cowards at Verizon dropped the sponsorship of his tour with Gwen Stefani and erased all his music from their catalog.

Akon also started kissing kneecaps and licking boots,

  • "I want to sincerely apologize for the embarrassment and any pain I've caused to the young woman who joined me onstage, her family and the Trinidad community for the events at my concert," Akon said.

First off he already did this to the super slore Tara Reid a while back, so his dancing style shouldn't be a surprise to Verizon. That's his M.O.

Secondly, Verizon knew he had a song called "Smack That" where he indicates how and where he will fuck women and a song called "I Wanna Fuck You" which details, well you can figure that one out.

Akon is not exactly Captain Subtlety.

Thirdly, the club was an 18+ club and he sings adult music which adults have the right to enjoy no matter how bad it is. Akon has to perform and run security and check ID cards?

I've been to parties in Trinidad. They don't check ID. You can look at the guest list, pick a name, say you are that person and get in.
I can do that and I'm a man. You think a girl who is damn near naked is going to have problems getting in a show in Trinidad?
C'mon.

Finally, look at the girl's father.



Your daughter wasn't tricked Pastor.
From this picture alone I can tell this man is the sort of self-righteous religious nut who is so out of touch he thinks that his hairstyle is popping and that his daughter's not a slore because she wears ankle length dresses at home.

If Akon has to take this fall and Paris Hilton, Phil Spector and R. Kelly all get off, I'm slapping somebody.

Sunday, May 06, 2007

Snitch of the Week: 4/29 - 5/5 (Ice T)



As a man who went from being a Crip, to singing "Cop Killer" to playing his own potential victim on Law and Order, it's safe to say that 50-year old Ice T has gone through a bit of change in his career. Let's not forget he was at the forefront of some of the earliest movements to censor Negroes saying bad things. "Cop Killer got him dropped from his label to which he responded,

  • "The song was written in character, and that "if you believe that I'm a cop killer, you believe David Bowie is an astronaut," in reference to Bowie's song Space Oddity."
So it was interesting to see Spine Mag link to this SOHH interview with the other Mr. T on snitching and how criminal codes are now becoming civilian codes.




For snitching on snitching, Ice T is the Snitch of the week.

_____________________________________________


In other snitch related videos, peep this man on the street feature with a mostly ignorant group of black people;




And Jon Stewart's own sarcastic take on it as well (Via Different Kitchen)





That Stooly P album is a straight classic. What y'all know about "I'm Tellin'?"

It'd be a lot funnier if black people didn't look so damn stupid.

Sunday, April 29, 2007

Responsibility? Nigga Please.



I saw this banner on Davey D's website. Supposedly he is a big hip-hop blogger or something.
This banner is provocative and seems witty enough but if you examine it with any honesty you realize that this is pure coonery.

Look at each of these images. Who do these men protect by not snitching?

  • Dick Cheney: Other crooked rich white Republicans who are fucking you in the ass.

  • Generic Police Officer: Other crooked cops who are fucking you in the ass. Sometimes literally.

  • Karl Rove: Other crooked rich white Republicans such as Dick Cheney, who as I mentioned before, are fucking you in the ass.

  • Lyor Cohen: Rick Rubin and other Jewish music executives? I really don't get that one to be honest.


Now let's look at snitching in the inner city.
Who does the generic crime witness in the hood protect by not snitching?

  • A rapper, who would call the local precinct he has on speed dial if he saw you sauntering into his gated community?

  • A drug dealer, that decimates your neighborhood while dropping innocents with stray gunfire?

Criminals have gotten gen. pop. to embrace prison values and help their business. Rap is the best thing to happen to the drug game in a minute.

The argument that white people don't snitch argument is weak and intellectually dishonest.
Don't defend the indefensible.

Anyway, this post-Imus/60 Minutes climate has got rappers running scared.

Apparently Cam'ron apologized for his coonery on 60 Minutes. Is this real?
T.I. believes we should take our moral example from George Bush.


  • "I honestly feel it's a lot more important things [to worry about]," T.I. said last week in his Grand Hustle Studio in Atlanta. "If you want to fix America, you have to start at George Bush and work your way down — you can't start at hip-hop and work your way up."

I ain't talking to no police until Inauguration Day, January 20th, 2009 son!!!
Obama holla at me!

Didn't TI get his friend murdered because he was making it rain?

Seriously, has anyone seen a rapper intelligently discuss this issue?
Pass a link on if you did.

P.S. - I found one. Underground rapper Paris handled the issue well.

Peep more spineless evasion from Hu$tle $immon$ on CNN,




Why does it sound like Anderson Cooper knows and cares more about black people than Hu$tle?

Run DMC would NOT get signed today.
That is a fact.

And peep Hu$tle Simmon$ cleaning Bill O'Reilly's shoes.
Iza sowwee Massa O'Reilly,




Does Hu$tle really think O'Reilly gives a fuck about poor black people? Or is his entire media frenzy an attempt to get people to purchase his new bullshit self-help book called "Do You" that is currently #34 on Amazon?

I see your game Hu$tle. Nice try though.

Wednesday, April 25, 2007

Stop Snitching On 60 Minutes


(Start snitching, before it's too damn late.)

I finally managed to hold back the vomit long enough to watch the 60 Minutes Stop Snitching segment that is tearing up the Interwebs.

It was hard to sit down and watch this shit knowing how ignorant it would be.
Regardless, I'm glad that hip-hop is getting put up to the fire now.

To think that all this self-examinaton is coming from Don Imus' firing?
Shit, I wish more old white men would start insulting black people if that's what it takes to get the mirror up.


Part 1,



Part 2,




Meanwhile many of the most popular rappers have been snitches when it helped them out.

From Dallas Penn,

  • FISTY SCENT turns states’ witness against KENNETH ‘Supreme’ McGRIFF
  • LIL’ WAYNE is the biggest snitch in the rap game
  • CAM’RON talks to police about his beating incident at Rucker Park
  • BUSTA RHYMES goes to the police about his violent B.M. (babies’ momma)


  • But here is Dead Prez skirting the issue and playing the favorite role of the modern Negro, hapless victim.




    I always knew Dead Prez was into ridiculous conspiracy theories and anti-establishment, but they just lost all respect after that bullshit interview.

    Despite the title of this blog, it's clear to anyone that the anti-snitching movement is a complex issue stemming from several issues:

    • A deserved apprehension of the police by the black community.
    • The failure of police protection.
    • A misguided sense of anti-authoritarianism based on centuries of systematic oppression.
    • The refusal to acknowledge hypocrisy.
    • Sloppy group-think and the comfort of playing the victim.
    • The denial of (c)rap music's power.

      And most importantly,

    • The slow assimilation of prison culture into hip-hop culture

    The rapping ex-convicts who flooded the rap game in the 90's and the 00's and the studio gangsters who ride the coattails of their image would like you to believe that being a witness to a crime and not wanting crack addicts in your neighborhood is the same as someone who turns on their criminal associates to dodge a bid.

    If they can get all the little jigs to soak up this ignorant code while doing a Chicken Noodle Lean With It, Pop Shake and Snap dance on BET, then they can murder a rival in broad daylight or firebomb a community advocate's house in Baltimore, (Remember when white people used to be the firebombers? Those were the good old days.) and have no one say a word.

    Angela Dawson shouldn't have been snitching right? Then her, her five children and husband would all be alive if she just shut up right?

    Kelefa Sanneh
    , the bitch-ass rap apologist who gets paid to make most disgusting hip-hop palatable for the Upper East Siders who read his reviews, chimed in on the issue:

    • But it wouldn’t be surprising if the big record companies eventually decided that brash — and brilliant — rappers like Cam’ron were more trouble than they were worth. (Cam’ron’s last two albums haven’t sold well.)...

      ...What if hip-hop’s lyrics shifted from tough talk and crude jokes to playful club exhortations — and it didn’t much matter? What if the controversial lyrics quieted down, but the problems didn’t? What if hip-hop didn’t matter that much, after all?

    I could and may write an entire post detailing why I despise his criticism, but i'll just focus on the fact that people like Kelefa and Tom Breihan extol the most despicable elements of hip-hop as "brilliant" but when the heat is on they are quick to deny the power of the institution that pays their bills.

    That is dangerous cowardism.

    Convenient statements by Hu$tle $immon$, fresh off of promoting blood diamonds and telephone psychics, and about banning the words, "bitch, ho and nigga/er" after he earned his millions pimping those very words mean nothing.

    The power of rap needs to be acknowledged and addressed in a way that doesn't involve banning naughty words. I'm too much into that whole free speech thing to go down that line.

    The solution is to get to a point where so many rappers aren't tripping over each other to be as fucking negative and nihilistic as possible. That's what I learned from the Top 25 Rap Album list.

    It's about a balance of the images.

    Mixing the light fluff of "This Is Why I'm Hot" and with "Kill a Nappy-Headed Snitch Ho" ain't quite balance.